Tuesday, March 24, 2026

Flying While Fat: Southwest Is Craving a Class Action Lawsuit

 On anxiety, discrimination, and being flagged at the gate on an empty flight

The Illusion of Self by Tschabalala Self


I was told to buy an extra seat on an empty plane. That was just the beginning.

Every day, there is something happening in the world that leaves me perplexed, wondering how this moment we are living in now will shape our future. I’m not gonna lie, I’m a little skeptical about what the future even looks like given the state of our country.

I had to hop a flight recently, and the anxiety was already sitting with me before I even packed my bag. And it wasn’t just me being dramatic. It was everything happening around air travel right now.

News reports about long TSA lines. Announcements about ICE agents being present in airports across the country. Videos circulating of passengers of size being forced to give up their seats, pay for additional ones at the gate, or even being removed from flights altogether because of new airline policies.

And on top of all of that, safety concerns. Reports of air traffic controller shortages. Stories of near misses. And that devastating crash where a plane collided with a fire truck on the runway, killing the pilots. A tragedy tied, in part, to the lack of adequate air traffic staffing.

So yes, my anxiety was through the roof.

I first started paying attention to this last year through content creator, Samyra, who often speaks out about fatphobia and the ways companies fail to consider plus-size consumers. She shared an experience where her Southwest ticket was taken while she was trying to get from Los Angeles to New Orleans because of her size. Day of, she had to go to the Delta counter and buy a completely new ticket just to make it on time.

And let’s pause there, because everyone does not have that kind of instant cash flow. People plan trips months in advance to stay within their budgets. That kind of disruption is not just inconvenient. It’s financially destabilizing for many consumers especially in this economy.

Of course, the internet, which loves to dismiss and discredit, especially when it comes to outspoken Black women, chalked her experience up to being “another one of her fat girl antics.” But for those of us living in larger bodies, we understood exactly what she was saying. I know I did. And I started paying attention.

Since then, more and more people have come forward with similar experiences of being targeted by Southwest because of their size. The stories are consistent. Confusion at the gate. Last-minute seat changes. Public flagging. Pressure to purchase additional seats under stress.

And what’s also telling is who gets listened to.

Southwest reportedly requested a meeting with one passenger who spoke out, a white male. But Samyra, and other passengers of color sharing similar experiences, were not afforded that same opportunity.

That tells its own story.

So by the time I got to the airport last week, all of that was already sitting with me.

When I reached the airport to depart, I flew out of DCA, and everything was smooth. No long lines. TSA was easy. I didn’t see any indication of ICE presence. I flew American Airlines on a smaller American Eagle plane and wasn’t approached about my size at all.

Returning back to DC, TSA was still smooth. No visible ICE presence again. This time, though, I was flying Southwest Airlines, and that’s when things shifted.

Before I even get into what happened, I want to say this. There was a time when I felt Southwest was one of the most accommodating airlines in the business. I remember when they had a policy that allowed passengers of size to have the seat next to them for comfort. Not just for larger bodies, but for accessibility needs, families, and the elderly. It felt humane. I even wrote about in my blog in 2015.

Now, with this shift to assigned seating, new baggage fees, and these size-based policies, it feels like a completely different airline.

And let’s be clear. When I say “size,” I mean fat. Because if you’re tall and your knees are in the back of a seat but you’re still thin, nobody says a word. Fatness is what’s being policed.

Check-in was smooth. I prepaid my bag, printed my labels, dropped it off, no issues. TSA, again, easy. I got to my gate early, sat down, and waited to board. Everything felt normal.

Then boarding started.

I got in line with my group, walked up to scan my ticket, and the machine made a strange noise. The agent paused, looked at his screen, and said, “You’ll need to step over to the desk. Your seat number on your ticket doesn’t match what we have in the system. Your seat has been switched.”

I walked over and immediately saw the woman at the desk already on the phone. I glanced back and saw the gate agent was also on the phone. So clearly, this wasn’t random.

She handed me a new ticket.

9B.

I asked, “Is this a window or an aisle seat?”

She said, “No, it’s a middle seat.”

I said, “Do you have anything else? That’s not what I originally requested. Why was I moved?”

That’s when the energy shifted. You could see the anxiety in her. She started clicking her mouse like her life depended on it, frantic, aggressive clicking for a solid three minutes. Then she called for a manager.

And my spirit said, here we go with the bullshit.

The manager comes over, looks at the same screen she’s been wrestling with, and says, “You’re good. This is your seat.”

I said, “I would prefer an aisle or window like I originally selected. Why was my seat changed?”

He says, “You were originally placed in the exit row, but you won’t be permitted to sit there because of your size. You’ll also need to purchase an additional seat.”

So now I’m looking at him like, is this real? I never had an exit row seat. I would not have chosen. Having flown a million times before in this body, I know airlines won’t let fat people sit in an emergency exit row.

I asked, “Is the flight full? Because if I need to buy an extra seat, that means other seats are available, right? I want an aisle or window seat.”

He checks again and says, “The row is actually empty.”

I said, “So you’re about to charge me for an additional seat on an empty plane?”

Silence.

The agent is still clicking. And the manger is pointing at the screen. He’s hovering over her shoulder like even he doesn’t understand what system they’re operating.

I said, “What exactly are you looking at? Because I would like to board this plane, but I don’t want to sit in a middle seat unnecessarily.”

At this point, the confusion and that relentless clicking were grating. What the hell were they doing, playing Oregon Trail?

Finally, he says, “You know what, the flight is pretty empty, so let’s just proceed with this. When you get on, your row should be empty. But in the future, you will need to purchase an additional seat.”

I walk away from the counter and get on the plane.

Window seat. Empty row.

I look around and it seems like most people have entire rows to themselves.

So this whole interaction was unnecessary. I didn’t need to be singled out. I didn’t need to be flagged. I didn’t need to be told to spend more money for space that was already available.

And that’s the thing. Every story I hear about this policy includes confusion, inconsistency, and public call-outs.

Travel should not feel like this.

It should be ease, especially when you’ve done everything in your power to prepare for it.

This policy is discriminatory. The behavior was discriminatory. And honestly, it’s giving class action lawsuit.

I spoke to another man of size on the plane. He was sitting a row ahead of me. I asked about his experience at the gate. He said, “Not today,” because he found a workaround.

He changed the email on his Southwest account in case it had been flagged in their system because of a previous encounter. He only flies Southwest without checked bags because he feels that’s where he was targeted before when he was checking his bags. He said he also avoids sitting at the gate so agents don’t have time to assess and single him out.

So now we’re playing airline travel Tetris just to get from point A to point B.

And that’s unacceptable.

At this point, I’m trying to figure out if I can transfer my Southwest points to somebody else, because I’m about to be out here selling them like ya’ll be selling ya’ll food stamps.

I’m not doing all of that.

And I definitely don’t deserve that after years of flying with them.

Friday, March 20, 2026

Ahhh, to Be Excluded

A reflection on being overlooked, staying grounded, and continuing anyway


Read the Room by Danielle Mckinney

Le sigh, I find myself in a bit of a conundrum, so I’m like, OK, let’s write about it. I’m from DC, and baby, DC is so special. The city is culturally explosive and there’s no other place like it, from the historic monuments and museums to the go-go music, to mambo sauce, the accent and colloquialisms to the Nike boots and Foamposites. When you’re from DC, really from DC, not the M or the V, you are in my mind the upper echelon of cool muhf***ers. No other city is like it. It’s small and pretty much there’s someone who knows someone who knows you.

I’ve ventured out of the city quite a few times during different chapters in my life, but I always find myself returning and re-centering amidst life’s chaos back in my room in my childhood home in DC. Most recently, I’ve been navigating the Broadway space. New York City, in general, has a lot of theater opportunities that can really catapult the career of a theater artist like me, and so being able to navigate that space and that community has really enriched me as a generative artist.

Recently, I received several messages from friends and colleagues asking me why I had been excluded from a panel discussion happening in DC featuring DC natives who have found their footing in the Broadway landscape.

You know when your a person who typically stays in your bubble and it gets interrupted by screenshots? Screenshots can be the devil. Since I had not seen the event flyer, being excluded is probably something I really wouldn’t have cared about. I kind of wish people would not have sent it to me. Now I’m a little bit flustered because I have truly been busting my ass to navigate the Broadway landscape and to be excluded does feel hurtful. One of my friends even said, “Cyn, stop hiding in the shadows and letting others be the face, you have done so much…” and I had to let that sink in.

Again, I’m faced with having to make a choice about who I am as an introverted artist versus what is required to be seen and heard by others. The entertainment industry is full of marketing strategies and PR stunts for recognition, and that’s just not who I am. It’s a tough place to be in. Seeing the screenshot was a little hurtful, but my friends’ and colleagues’ reactions to it stung more. Being excluded is not the last word, and it doesn’t hold weight to what I have done, what I am doing, and what I will do in the entertainment industry across mediums.

Being overlooked and excluded is a human indignity that I have experienced before. Be not dismayed. I am a warrior, in spite of. Always have been, really.

So this is kind of a pick-me-up post for when a piece of your internal algorithm has been disrupted, because I have never been more happier than I am in this moment time. Granted, the hustle is hustling, but I am so proud of myself and the things that I’m doing as an independent artist, having endured so much that the average person would have quit a long time ago.

I don’t know if you watch Married to Medicine, but Dr. Mimi and her husband have an autistic child, and in one of the recent episodes she was talking about her child with the group. They were discussing what they need from their significant others, and she said that because of how hard it is raising an autistic child, what she needs from her husband is just a word, a simple “you’re a good mom.” And she cried. I thought about her in this moment because I know my friends and a few colleagues love me, and I know they support me, especially during the last couple of years when things got really, really tricky. Sometimes all I need is a good word and a reminder that I’m doing a good job. The screenshots, the post shares, the “why not” inquiries don’t compare to the, “Cyn I see you and you are doing a good job.” I'm just out here praying and persevering so that my internal algorithm stays leveled, quaint, happy, joyful, peaceful, and productive. Nothing more, nothing less.

Things do bother me, I won’t pretend like they don’t. That’s why I write. But I work hard every day to stay unbothered, to turn off the noise, unfollow, unfriend, and uninvolve myself from people or situations that do not align with me living as the best version of myself. My secret remedy for hurt feelings due to exclusion was a gift from Zora Neale Hurston herself, and one of my favorite quotes:

“Sometimes, I feel discriminated against, but it does not make me angry. It merely astonishes me. How can any deny themselves the pleasure of my company? It’s beyond me.”

Tuesday, March 17, 2026

Borrowed Words, Personal Truths: Myliek & Dr. Thema Bryant

 Reflecting on the quotes that stayed with me.

Myliek (left) Dr. Thema Bryant (right)


There are a couple of new series I would love to start on Confessions of a Person Carrier. This one specifically is an ode to my addiction to a good quote. I look for quotes everywhere, on social media, in books, on graffiti walls and other street art. And don’t let someone say one and I can’t get my Notes app open fast enough to write it down, only to have the nerve to forget. Enraged. I love a good quote. I don’t know what to do with all of these quotes that I have accumulated throughout the years, so I thought why not write about them on my blog that I love so dear.

The other day my Instagram feed gifted me a quote from entrepreneur and coach Myliek. It read: call your energy back and stop auditioning for belonging.


I was like, oh damn. I had to read it a few times again and then screenshot it for safe keeping. You know Imma keep it really real and raw and honest as it pertains to my life especially on my blog. Of course I have opinions about other nouns and love a good critique, but even that only stems from my lived experience. That’s why critique and opinions are always subjective. We don’t have the same brain or life, so the things we share will differ. So my truth is this quote gut punched my apron belly and leaned in and bit my ear off like Mike did Holyfield. Myliek, you trynna square up or nah?

I don’t know the day I began identifying as an artist. I do believe it is a part of my DNA. My parents both were unidentified artists. My mom recognized it in me early but was afraid I’d be weird walking around in Jesus sandals in the winter, but she supported me and nurtured my gift. And that gift was undeniable. Theater became my medium of focus, but I was a multi-hyphenate. Still am. A lot of the oration part of theater began in church for me. I had conservatory style acting training since I was around 12 years old and part of that training is audition technique. Auditioning is how you get cast, generally. Yes, that generally is accompanied with a side eye.

I spent the majority of my adolescence auditioning for everything. I went on into adulthood and continued auditioning. Today, I will occasionally see something of interest, pull out my equipment, and send in a self tape just to say I did it. It is a part of me habitually. There is no greater anxiety than walking into a cold room of casting directors or getting a call back. There is no greater feeling than walking up to the call board and seeing your name or getting an email that you have been cast. There is a bit of heartbreak when you don’t get cast and a lingering trauma when you find out that it’s not because of your talent, it is your physical appearance.

I carry a lot of understanding, experience, and trauma from the audition process. Continuing on into the administrative side of theater, the auditioning continues. In social settings you are asked what you are working on and judged on your answer. In meetings you are trying to get your opinions and ideas across the table. You are fighting to get shows on stages knowing that in order for this to happen you have to run a political race. Every engagement, meeting, discussion, email is an audition and I have had to lean into what my conservatory training prepared me for in all of it.

It sucks the life out of you honestly and I mean a slow continuous pull and tug like a very thick milkshake and a paper straw. To cope and stay the course, a different type of energy begins to brew, one you are not really quite sure what it is. I started looking at it as a scab protecting a wound. It is not cute, rough, but it is protecting not just the scarred area but the infection of the scarred area that could seep off through the entire body.

I have been making choices as scabs during the audition process. Silencing myself, agreeing to get along, down playing my gifts, erasing parts of my journey off my résumé to fit in, remodeling my general make up to squeeze into these smaller spaces. And baby I am a big girl literally and figuratively. It is hard to Ozempic my essence and artistry but I have done it. I have done it in all of the industries I have walked through, politics, entrepreneurship, marketing and education.

With this energy shift to fit in and belong I am not only exhausted but I am unrecognizable and can’t even afford Mounjaro to do the work for me. And it is not that I don’t like who this woman leading the charge is. She is likable, adaptively likable. I just don’t know her like that. She appears when she has to and scabs me up so I can navigate spaces unscathed. And actually we both felt personally attacked by Myliek and her quote. Her more than me because she’s skinny and didn’t have enough belly fat to soften up the blow.

Since July 2025 I have been intentionally spending time realigning with me. My goals, passions, thoughts, and joys. I have gotten to a place where I don’t want to lean on her protection for the sake of belonging. I’ve realized it doesn’t honor the core of my purpose and that is the audacity to belong to myself.

I hate self help books but recently finished Homecoming by Thema Bryant and I highly recommend it if you find yourself wanting to come home to yourself. Those of us shifting back into our authentic selves, Dr. Bryant has a word for every type of homecoming seeker in this book. She includes real stories from her clients and people she encountered, her personal story, clinically informed advice, spiritually informed healing strategies, and so much more. She says:

“I wrote this book for all of you who at different points in your life have found yourself living like someone you are not. You may have started acting different because of how you were treated, or what other people told you about yourself, or how you saw others acting. You have not felt comfortable or safe enough to truly be yourself or to feel at home in your identity. The recognized and unrecognized traumas of your past may have taught you to hide your gifts and voice in order to survive. This book facilitates your journey back to who you really are, so you can own your full identity and fly.”

I finished this book feeling understood and clear that my quest home to myself is independent but not isolated. No matter how superhuman we project to be we all at some point have yearned for a place of community and belonging and too have made choices outside of who we truly are to fit in. From childhood to adulthood. And we get exhausted and irritated because we can’t fully commit to the pick me behaviors and hazing some of these rooms, groups, and seats at tables require.

Dr. Bryant even had a word for the struggling multi hyphenate:

“Single gifted people will never understand multi gifted people. To them, you will always look scattered, because that’s why they want you to choose. Like, what are you? Because it defies their box. I thought you do yoga, so what are you doing over here? Who told you that you could come out of that box? I do it all. I do all these things, all of the things in me. So, I think it’s also giving each other permission and celebrating cutting up the box. It’s also about when we respond to each other, not responding out of our fears, because I think when people are trying to discourage us, it’s based on their fear that that’s impossible, right? That you’re going to get hurt, you’re going to get disappointed, so let me tell you now to play it safe and just enjoy what you have.”

So here’s to the journey back to yourself with the understanding that the scars, bruises, and mistakes along the way shape us and do not need to be hidden and in fact can draft the roadmap towards healing not only for you but for someone who needs it. I am just starting to feel more like myself after intentionally working on it for about 9 months now. A rebirthing. Hopefully, I will let her stick around this time and if she ever steps back into the bushes like that Homer Simpson meme…




Saturday, March 14, 2026

The Day My Artwork Was Replaced by ChatGPT

 An artist's reflection on AI, authorship, and the value of human creativity.

Premium Connect by Tabita Rezaire

For awhile now, I have been doing freelance graphic design artwork for individual projects and organizations. However, within the last few months, the amount of projects I am workin on at a time has vastly increased. I find a lot of joy in creating digital footprints, images, reels, timelines, and pitch decks on Illustrator and Canva for people who may need them. Sometimes I might do it in my bed when I’m feeling a bit of anxiety. It’s a relaxing and fun hobby.

Some of the work that I’ve done is paid and others were done as service. Recently, I agreed to take on a larger project that took some time. When it comes to creating anything, whether it’s a production I’m directing or producing, writing a piece, or graphic designing, I transition into a very Type A personality. I schedule myself until the task gets done. Organizing and follow through is very important to me.

When hired, I typically send clients three to four drafts of varying images to choose from. I take all of their edit suggestions and adjustments and implement them. We continue to go back and forth with this creator-client engagement until the image is exactly what they envisioned it to be. I want them to walk away from me happy and ready to launch their project with pride.

So far, even though I find this work joyful, it can be hard to please people. But I’ve been doing really well at it and getting a lot of compliments, praise, and referrals because of my work.

While working on this larger project I was tasked with creating two different graphics with different colors, fonts, and backgrounds. Then, from those two images, I was to create three variations of each color that focused on a different offering of the event the company was marketing. I was also tasked with creating two different website banners and I had to utilize the images and logos they provided. This specific client didn’t have any real specifics other than they wanted their logo on it and they wanted it to feel inviting so that it would sell their event to their target audience.

I created three different graphics and shared them with their team. They chose their top two and asked me to continue on from drafting to curation. I went back to the drawing board and enhanced those two images with all of their requests, created all of the event banners, and went back and forth with them to adjust the font and photos to their liking.

I finally finished.

They sent everything off to their head, their head liked them, and they wanted to move forward with advertising their event.

A day after everything was approved one of their team members sent an email with a graphic generated by ChatGPT. Her email read:

I asked ChatGPT to create a flyer from the one you created. I really like what AI did. Can we use this?

This has never happened to me before, and I’m writing today still really processing how that email felt.

I don’t know whether to be upset or offended or bust out laughing. I’m still very much in shock.

I spent days on this project for the client, only for a member of their team to take what I did, put it through ChatGPT, and have ChatGPT spit out something they felt was better. I personally don’t think that ChatGPT’s image was better. It was just different. There was a difference in background. A difference in font. A difference in the text effect. The font had a glow and shadow effect to it.

Why not ask, “Can I have this background?” or “Can we try this font?” or “Can we add this effect?” Instead of communicating you used my work and had artificial intelligence reconfigure my intellectual property that I gifted you and committed my time to. And when I sent back numerous drafts, you didn’t give feedback that there was something missing or that you felt something else could have been added.

I’m also struggling, like a lot of people, with AI because it’s becoming habitual and people are using it for everything. AI is making everyone’s writing sound the same and the event graphics look the same, because ChatGPT and tools like it are very one-sided and computerized. When people share on social media, send emails, or write blogs, you can almost instantly tell when they’ve chosen to use an AI tool to generate their sharing. The human nature in the artistry is void. It feels and looks computerized.

And that’s really sad to me.

I’m also starting to witness people, friends included, relinquish their likeness to AI tools that then reconstruct their self portraits or videos. They are using this reconstructed imagery those on their social channels or event publications.

And I’m like, dearly beloved… that’s not how you look in real life. It's giving Georgina in Get Out, having too fallen victim to a body swapping cult.





You are beautiful in real life. Stunning in real life. Brilliant in real life. Why are you letting AI dilute your essence? You’ve allowed AI to reconstruct your entire face and body to fit whatever narrative you’re telling yourself, because no one asked to see you in this altered way.

I’m confused.

My flabs are gasted.

And I’m worried that we aren’t using AI as a tool of improvement, but as a tool of replacement.

And that’s not what it should be used for.

For example, I have a hard time sticking to a budget when I go into a store like Trader Joe’s. If I see something, I’m buying it. Knowing damn well I should not be wasting money.

That’s an area where I need improvement.

ChatGPT is great for that.

I can say, “Hey Chat, can you help me curate a grocery list? My budget is $150 and I’m going to Trader Joe’s. I want the most bang for my buck, healthy options, and a few new trending items, all within my budget.” ChatGPT then generates a list I can use while helping me stay within my budget, sometimes even under it. That’s what AI is good for. Improving our lives and making what we already do a little better.

Taking a piece of art that someone else created, putting it into ChatGPT to reconstruct it is a form of replacement and erasure. You no longer want to use the artist’s point of view. You no longer want to communicate what you need and want with the artist and give them the opportunity to adjust the piece the way you envision it through their lens.

And that brings up another point.

Communication.

Right now society is at an all-time low when it comes to communication. People don’t know how to communicate with each other, so they hide behind AI and social media instead of having open and honest conversations with each other.

It’s really weird.

We’re allowing it to erase the human voice. We’re using AI to communicate for us because we are to lazy to do it ourselves. What are your actual thoughts and viewpoints? What thoughts from your brain can you use to contribute to the conversation? A constructed viewpoint of what a computer thinks about a subject is not what society needs especially in this season. We need actual thinkers, innovators, problem solvers, executors, and finish liners.

When you allow AI to restructure your entire thought, it no longer is your thought. You’re no longer sharing your voice and your views, and that affects how we communicate with one another.

Now don’t get me wrong, I’ve written things and run them through ChatGPT too.

But I am adamant about using it as a tool of improvement only because baby, if I have nothing at all, I will always have a brain and thoughts of my own. I’ll say, “Hey Chat, can you look at this body of work I wrote for grammatical and punctuation errors? Please keep my tone, idioms, and style.”

That’s improving my work. And baby, sometimes you just gonna get the raw unedited version of my thoughts, typos and all because that too is worth sharing if I so choose to share it.

But saying, “Hey ChatGPT, write my Master’s thesis,” is evidence that we have a larger issue here sweet lamb. You're using the tool as replacement. A temporary fix to a larger problem.

Stop erasing yourselves, beloved. Stop using AI to cater to your intellectual passiveness.

And I’m talking to myself too.

I need to stop down playing my value as an artist, and allowing folks to have the audacity to take my ideas and my work and walk around with them as if they’re theirs, just slightly restructured by ChatGPT. My response should’ve been you can’t use my work at all but I instead took a kinder more educational route.

I just want us to be better. Do better with ourselves and with each other.

AI is a great tool. It’s not going anywhere so we need to learn how to use it responsibly. It can make us better writers and creators while also improving our work and lives.

But it is not meant to erase what we can do, what we look like, or what we sound like.

We already live in a world with a bunch of hateful ass people.

Y’all…I don’t want us to be computerized too.

Sunday, March 8, 2026

Under the Sunset Series: Amahle Dlamani

Under the Sunset Series is a series of short stories I write using visual art depictions of Black women or girls as my prompt/inspiration.  Disclaimer: Adult Content 


The Marchioness by Toyin Ojih Odutola


Amahle frustratingly rambles as she searches through her closet.

“Where are my lynx coats? Maybe the bobcat print?”

“Towards the back, ma’am,” Umi responds as she walks into the closet right next to the Russian sables.

“Ah yes, that’s the one. That’s the one. Not the lynx but the Russian sable. The full length or waist length?”

Umi reaches to pull the coats down for Amahle. Amahle taps her arm.

“Please, please, I can do it. Have a seat. I can do it. You’re not working today.”

Amahle hums softly.

“It’s a celebration… a life celebration.”

Umi shakes her head in confusion.

“Yes ma’am,” Umi says.

“You are here as my friend only today. You can stop calling me ma’am.”

“Yes ma—”

Umi corrects herself.

“Amahle.”

Amahle steps out of the closet holding her full-length Russian sable in one hand and the waist length in the other. She walks to the mirror.

“Full length or waist?”

“Full. I love the full one,” Umi says.

“Full it is.”

Amahle throws the full-length coat on her bed and heads back into the closet.

“Okay, let me get my shoes and then we can head to the office.”

“Okay, I’ll head down to the office.”

“No, Umi stay. Sit. Keep me company.”

“Um… yes ma’am.”

Amahle peeks her head out of the closet.

“Yes, Amahle,” Umi corrects herself.

Amahle winks and disappears back into the closet.

Umi hears her rummaging.

“The shoes are in alphabetical order by designer’s name from left to right,” Umi says nervously as she sits on an ottoman bench. “The lightest color of the shoes start on the left and they work their way down to the darkest color toward the right.”

“Ah yes, yes, yes. I see now.”

“With that outfit you should probably go with the lighter color,” Umi says.

“Great minds think alike,” Amahle responds. “I’ll do the white - P, Q, R, S - Saint Laurent. The white Saint Laurents.”

Amahle pulls down the shoes, puts them on, and walks out of the closet. She sits at her vanity.

“How much time do we have?”

“It’s a quarter to,” Umi says. “He’ll be here shortly.”

Amahle finishes her makeup.

A little bronzer. A nude lip.

“Glasses or no glasses?”

She opens a drawer filled with frames.

“Glasses, glasses… glasses.”

She selects a pair and puts them on.

“Alright, let me put this coat on.”

Umi grabs the coat to help her put it on. Amahle takes it from her hand and walks to the mirror.

She studies herself.

“Yes, yes, yes. It’s coming together but something’s missing and I can’t quite figure out what it is. The Esquire is one of those irritating PETA people, so I know this coat is going to piss him off with his fine specimen self.”

She chuckles.

Umi smirks and walks into the closet. She returns with a jewelry box.

“Studs. Not dangling,” Umi suggests, holding the box open.

Amahle touches her ears.

“Ugh, Umi, what would I do without you? Getting ready to walk down there with naked ears. An abomination.”

She picks out diamond studs and puts them in.

“Yes, yes, yes. This is it.”

She sings again.

“It’s a celebration. A life celebration.”

“Do I need a purse? A briefcase?”

“No, no. This is fine as it is.”

She claps once.

“Great. Let’s go.”

They walk down the long hallway of Amahle’s family home.

The Clifton neighborhood house in Cape Town had been passed down through generations of her family. It stayed in their possession even through apartheid, when Black families were not allowed in the Clifton area.

The walls are adorned with family history. Portraits dating back to 1806. Framed artwork from coveted artists like Julie Mehretu and Basquiat. Family heirlooms. Porcelain sculptures.

“Do you think the office is a good place for this meeting?” Amahle asks. “Or should we meet in the day room and have Bandile bring in tea? I want this to feel less formal.”

“Interesting,” Umi says.

“What Umi?”

“I mean, pardon me, but you are dressed formally. Fur and all. But you expect this meeting to be less formal?”

“Absolutely!” Amahle says. “The event can’t be more formal than the host.”

She taps her chest.

“I am the event.”

They burst out laughing.

“Sing it with me Umi.”

She sings.

“It’s a celebration… a life celebration.”

Umi rolls her eyes.

“How about we meet in the atrium?” Amahle decides. “It has a natural glow and we can look into the courtyard.”

“Should we have tea?” Umi asks.

“Tea is always a great addition to any meeting.”

“Can I ask what this meeting is about and why it’s with Mr. Khumalo of all people?”

“You cannot,” Amahle says.

She starts singing again.

“It’s a cele—”

Umi cuts her off.

“Fine. I’ll go arrange the tea service.”

“No, I’ll go to the kitchen and ask Nomsa to have Bandile bring tea in about twenty minutes. I will meet you in the atrium.”

“Amahle, its ok, I can go to the kitchen.”

“No. You are not working today. Go to the atrium.”

Amahle walks away.

When she reaches the kitchen, Nomsa is sitting at the table reading.

“Sweet Nomsa.”

“Ma’am. Everything okay?” Nomsa stands.

“Everything is fine. Listen, in about twenty minutes please have Bandile bring tea and any crumpets you might enjoy to the atrium. Tea for four. It will be me, the Esquire, Umi, and I would like for you to join us.”

“Me ma’am?”

“Join us in the atrium after you’ve let Bandile know about tea service.”

Amahle turns to leave, then stops.

“You know what… I personally would like champagne with my tea.”

Nomsa nods.

“Let’s have champagne flutes as well. And I want burgers from The NOB.”

Nomsa looks shocked.

“So tea, four champagne flutes, crumpets for anyone who’d like them, and burgers from The NOB. Oh, don’t forget the fries. And let’s do the vintage bottles of champagne from Poppa’s collection.”

Amahle smiles.

“It’s a celebration. It’s a life celebration.” She hums.

As she walks away she whispers to herself nervously.

“This is a celebration… a life celebration. Yes, that’s what it is.”

When she reaches the atrium Umi is pacing.

“Umi, sit. Relax. It’s a celebration.”

“For what, ma’am? Really. What’s happening?”

Bandile enters.

“Ma’am, Mr. Khumalo is here to see you.”

Mr. Khumalo enters.

Amahle stands.

“Our first guest has arrived!”

She hugs him tightly. The hug lingers longer than normal. Umi watches with suspicion. When they pull away Umi sees Khumalo turn away to wipe a tear from his eye.

“Have a seat,” Amahle says.

“Can we get you anything?”

“I’m fine.”

Khumalo stares at the coat.

“How many animals were sacrificed so you could wear that god-awful thing?”

“Don’t start, Esquire.”

“Should I be representing Kruger National Park in the lawsuit against you for all the animals you’ve stolen to wear on your back?”

Amahle laughs.

Khumalo smirks.

“You never understood high fashion,” Amahle says. “That thrifte suit does seem to at least fit you well today”

“Whatever, Amahle.”

Nomsa enters.

Amahle gestures to a chair.

“Nomsa, sit here.”

Nomsa and Umi exchange confused looks.

Amahle nods to Khumalo.

He opens his briefcase.

“Ladies, I have all of the documents here.”

He hands two documents to Umi and one to Nomsa.

“Umi, you need to sign both documents. Nomsa you have one to sign.”

“Sign? Wait. What is happening?”

Khumalo looks at Amahle.

“So you still haven’t told them.”

Amahle lowers her head.

“Umi,” Khumalo says gently, “this document states that Ms. Dlamani has assigned you as her power of attorney.”

“Wait… Amahle… why?”

Amahle looks at her.

“Umi, we’ve been together for years. You’re not just my assistant. You’re my best friend. You’ve taken care of me on good days and bad. There’s no one else other than you and that Type A personality of yours I’d trust more to represent me when I cannot represent myself.

Khumalo continues.

“The second document is Ms. Dlamani’s last will and testament.”

He gestures to the pages.

“She outlines her funeral arrangements, program and where her money and belongings will go. Section three outlines what you will receive from the estate.”

Umi scans the page.

“Ten million dollars every other year for the rest of my life?”

Nomsa gasps.

Khumalo continues.

“Nomsa, this document shows that Ms. Dlamani is leaving you the family home.”

Nomsa freezes.

“You’ve worked for me since I was a teenager,” Amahle says softly. “Your mother worked for my mother. This house is just as much yours as it is mine.”

Nomsa’s hands shake.

Khumalo continues.

“She has also created a trust for your children. Their schooling will be paid for. After graduation they will receive installments for ten years.”

Nomsa looks at Amahle in disbelief.

Amahle takes a breath.

“My cancer is back.”

Silence fills the room.

“I’ve decided to go to Switzerland.”

“What?” Umi says.

“I’ll be checking into the SunJoy facility and undergoing the euthanasia process.”

Bandile enters with tea service.

Amahle suddenly smiles.

“Ah! The tea is here!”

She claps her hands.

“We have crumpets. Champagne. NOB burgers!”

She lifts the bottle.

“You see? Death does not deserve the final word.”

She pours champagne.

“I do.”

She raises her glass.

“So today… we celebrate!”

“It’s a celebration. A life celebration.”

Esquire, do you have a pen in your thrift store suit jacket?

Khumalo pulls out a pen and hands it to Amahle. Amahle signs the documents and hands the pen to Nomsa.

“Ma’am,” Nomsa says, “I can summon for Mama Yanga, there are healing herbs we can use. We've done it before.”

“Yes! I’ll go to Soweto now to get her.” Umi stands up.

“I'm tired.” Amahle says.

“I just don't want to fight anymore. I'm tired of the temporary fixes. I just want you both to sign and we spend this moment celebrating together. That’s all I want.”

Nomsa signs and passes the pen to Umi.

Umi looks through tho documents and then signs.

“Let’s swim!”

Amahle kicks off her Saint Laurents.

“One last swim together.”

She laughs.

“People always cry at the end of things.”

She runs out of the atrium doors and jumps into the pool fully clothed.

“Not tonight!”

Water splashes.

“Tonight we celebrate!”

She sings loudly.

“It’s a celebration! A life celebration!”

Nomsa and Umi hold hands anf jump in.

Khumalo sighs, removes his tie, jacket, shirt and pants until he stands in boxer briefs.

“You ain’t never not been a fine man,” Amahle laughs.

He dives in.

They laugh, play Marco Polo, cry, sing, eat NOB burgers and fries, drink vintage champagne, and watch the sunset.

Eventually they fall asleep beneath the stars.

Morning sunlight warms their skin.

As they come to, they realize Amahle is gone.

“Bandile!” Umi shouts.

“I drove her to the airport,” he says. “She didn’t want to wake you.”

Amahle’s wet fur coat hangs over the chair.

“Please have the cleaner tend to this.”

“Yes ma’am.”

Later Umi stands in Amahle’s closet.

She places the white shoes back exactly where they belong.

Her phone rings.

She answers.

“Hello?”

“Yes, this is Umi Sithole”

“Yes.”

Umi closes her eyes and the tears fall.

“Yes, I Amahle Dlamani’s power of attorney.”

A pause.

Her voice cracks.

“I will be there in the morning. Thank you.”

She hangs up slowly.

Silence fills the room but the grief is loud.

Umi whispers through tears.

“A celebration.”

She wipes her face.

“A life celebration.”

_____________________________________________________

Read the other stories in the Under The Sunset Series:

Lexi

Ruby

Ravi

Magnolia

Topaz

Azarri (& The B Crew)

Olivia Louise Dixon

Jax

Jade

Thursday, February 26, 2026

Where The 2026 Moses (and Aaron) at?

A Little Exodus Energy For The Exhausted 92% 

The 11th Hour: Moses Parting the Red Sea by Edwin Lester

I recently joined a Read the Bible in 90 days program. I signed up hype and ready for the challenge. I hate to admit it, but we’re like 2 weeks in, and I’m already behind. Whew. I hate being behind! I have a Type A personality when it comes to completing tasks so this has my anxiety spinning like Uncle Clifford on the pole during the Pynk reopening in Season 2 of P-Valley.

The challenge is 15 chapters a day. Majority of the class is currently on the book of Numbers. I’m still back in Exodus, humming “Mutt” by Leon Thomas, right after the part where God tells Moses about His plan for a livestock plague. And it got me thinking…

God used Moses to get the Israelites out of Egypt. He had to go toe to toe with King Pharaoh and his whole army. So, I started asking myself, where our 2026 Moses at? Who is going to part the Rio Grande and demand that those displaced from their families and deported from what they’ve called home deserve safety, dignity, and reunion? Who is the Lord going to use to chin check Pale Orange Diaper Demon and his army of slum lords who continue to implement systems of cruelty on humanity?

And the Lord said, Cyn, go head and write about it.

So, I closed the Bible app and started voice dictating this blog post. Because even when it feels like we stranded on no man’s island, especially the exhausted 92% watching what feels like a plague on humanity, I realized we do have some Moses lineage circulating this nation. And they are not letting up.

Now Moses was 80 when God pulled up on him with the assignment. 80!!!! And Moses was like, bruh, I’m 80. I ain’t got it. You want me to go back and forth with Pharaoh? You want me to convince the Israelites to follow me? I have no power and I’m not even that eloquent.

And God, being God, said I can show you better than I can tell you.

“Then the Lord said to him, ‘What is that in your hand?’ ‘A staff,’ he replied. The Lord said, ‘Throw it on the ground.’ Moses threw it on the ground, and it became a snake, and he ran from it.” Exodus 4:2 NIV

You know who not letting up with their cane in hand? Congressman Alexander “Al” Green. They done tried to throw him out and he keeps coming back. Sign (in hand), sealed, delivered. He is “not settling for the okie doke” as my Mama would say.

Moses was also worried about how he spoke. Like Lord, I’m not polished or educated. I’m not giving TED Talk energy. I’m on my colloquialism-ish for real for real.

So, God said fine. What about your brother Aaron?

“Then the Lord’s anger burned against Moses and he said, ‘What about your brother, Aaron the Levite? I know he can speak well…You shall speak to him and put words in his mouth; I will help both of you speak and will teach you what to do.” Exodus 4:14–15 NIV

This made me think about the 2026 Moses and Aaron energy I see in Congresswoman Jasmine Crockett. Congresswoman Crockett is not going to stop speaking about what’s happening in this country no matter the criticism. We also find 2026 Moses and Aaron energy in Lynae Vanee @lynaevanee, George Lee Jr. @theconciouslee, and Victor Kwesi Mensa (Vic Mensa) @vicmensa. They all are speaking truth to power in parking lots, in front of informational green screens, and while peeling oranges in the backyard. Style does not cancel substance. Colloquialism doesn’t deter merit. The message lands for those willing to receive it.

Aaron was Moses’s older brother. He was 83. Let that sink in. The Bible is full of stories where God uses all kinds of people regardless of age, background, education, gender, or zip code. And this particular story in itself is suggested to have happened in the 1400s B.C. The Moses lineage has never had limitations, and it surely does not in 2026.

Now, the Bible doesn’t explicitly say how long Moses and Aaron had to go back and forth with Pharaoh, as instructed by God, to negotiate on behalf of the Israelites. I asked Google, and sis said it seems it took about a year. So Pharaoh was out there playing in their face for about a year. Y’all like to throw the word narcissism around? Here you go! Pharaoh is a biblical example of a narcissist.

During this time, Egypt was going through 10 plagues. 10!!!! I’m talking the firstborn in every Egyptian household died, darkness covered the land like Niger told France, God said, lights out! The Nile River turned into blood, so they didn’t have no clean water. The frogs came ribbiting through the land like, it’s our land now, bih. Gnats and lice said we got next and were biting up people and animals. Livestock became diseased and died, no more wagyu beef. Folks broke out in boils, no more keeping STDs a secret. It was “written all over your face, you don’t have to say a word,” and this was before any doctor-patient confidentiality law. It started hailing and thundering, which ruined crops, and the remaining crops were eaten up by locusts. All of this had to happen before Pharaoh allowed the Israelites to go with Moses.

I can’t help but think about us enduring two terms of the Tangerine Nightmare. We are going through plagues, beloved! A global pandemic, inflation, loss of jobs, immigration and violent border policies, erosion of democratic practices, drastic public health changes, cutting off Social Security, Medicaid, and Medicare, cutting the Supplemental Nutrition Assistance Program, destroying the education system, chaos in international relationships, dismantling of foreign aid, environmental disasters like fires and the government not sending help based on the political views of that particular state, ICE killing unarmed civilians, police killing unarmed civilians, attempt at the erasure of history, cutting the federal workforce, assaults and attacks against the media and shared information, attacks on voting rights, policing and silencing voices who differ from those in leadership, targeting the rights of the LGBTQ+ community, racing with the racism. Need I go on? The years ain’t stopping for us here in this not so United States and no matter how exhausted we are, we all gotta tap into our inner Moses and grab our brother or sister like Aaron, gather the folks, and get to moving.

Pharaoh, just like Sweet Potato Hitler, was playing all sorts of games with people’s lives for his own benefit. Even after he told Moses that they could go on about their business, he changed his mind, and called his men to meet them at the Red Sea.

“When the king of Egypt was told that the people had fled, Pharaoh and his officials changed their minds about them and said, “What have we done? We have let the Israelites go and have lost their services! He took six hundred of the best chariots, along with all the other chariots of Egypt, with officers over all of them.” Exodus 14:5-7 NIV

It’s giving civil war vibes. And whether we want to admit it or not, we are living in a civil war in 2026. It’s infuriating, frustrating, and honestly scary.

But Moses said:

“Do not be afraid. Stand firm and you will see the deliverance the Lord will bring you today. The Egyptians you see today you will never see again.” The Lord will fight for you; you need only to be still.” Exodus 14:14-15 NIV

Is that a promise, Mo-Mo? ‘Cause I definitely don’t wanna see these heauxs ever again in office, on the train, or at the bodega in a hoodie and sunglasses trying to get a chopped cheese, nowhere! Not them or that Convicted Dictator Diarrhea.

But if you know the story, you know that God told Moses to use that staff, hit it to the ground, and the Red Sea parted. All of the Israelites went across on dry land. But when Pharaoh and his army tried to go across, the waters closed and they drowned. I mean, tell me we need a drowning without telling me we need a drowning in 2026. Allegedly. 😉

Another part of the story that I love is how music takes up most of the 15th chapter of Exodus. Moses and the Israelites started singing bops to the Lord.

You know who drops bops every day, like Moses calling out the imbeciles perpetuating the plague in this nation? Cameron McCloud, @cureofparanoia. Teaching the babies by day and amplifying social justice through music for the masses.

Here is what I know, the Moses lineage is alive and well. It is 80 years old and 18 years young. And y’all don’t give enough credit to the grade level kiddos because they be hip too! It is polished and it is hood. It has a staff in its hand, even if it does not yet realize what that staff can become. I know you’re exhausted but tap into your inner Moses. Grab your Aaron. Speak anyway. March anyway. Organize anyway. Sing anyway. We may have a sea in front of us and an army of evilness chasing us, but we are built for the crossing. And neither water or evilness will get the last word.

If you know a Moses, tag them, text them, tell them while they’re still here, thank you. Add their names so we can call the roll and honor the lineage out loud.

Stand firm. Stay bold. Keep your staff in your hand and your eyes on liberation. Not just for you but for everyone.

Asé.

Thursday, February 19, 2026

Cyn's Thoughts: Netflix's Reality Check: Inside America’s Next Top Model

 Engineered Pain Porn, Lack of Accountability, and A Stained Legacy. Let Gen Z go off!


So let me start by saying, Netflix is killing it with the documentaries. As someone who loves documentaries, especially the ones that unpack true crime, I am grateful I can hop on Netflix and find exactly what I’m looking for. Even though that monthly subscription fee keeps inching up to astronomical, I am generally a pleased paying customer. Keep giving us great content and pissing off the current administration, Netflix!

The other day I watched Reality Check: Inside America’s Next Top Model. It doesn’t fall into the true crime category, but it damn sure could. America’s Next Top Model premiered in May 2003. I was trying to remember what I was even doing in 2003. Probably somewhere gallivanting in my youth. I love the word gallivanting, by the way, if you haven’t noticed. When people say, go touch grass, I think of gallivanting and skipping through the forest. That was probably me in 2003.

I had completely forgotten about the show, the cast, models in general, and how aesthetically vital they were in sustaining the fashion industry. Tyra Banks was a touchpoint for many Black and brown girls. She made history as the first African-American woman on covers like GQ and Sports Illustrated. Not only did she take up space in fashion, she explored film and television too, appearing on shows little Black girls were watching like The Fresh Prince of Bel-Air and starring in the Disney film Life-Size as a Barbie-esq doll. She was also a CoverGirl, and we were all obsessed with singing “easy, breezy, beautiful, CoverGirl.” She gave us a glimpse of our likeness in an industry that didn’t like us. We witnessed her building a legacy in real time. So when Top Model came on the scene with Tyra at the helm, a whole lot of us were locked in. We believed in her. We were rooting for her! No shade, but shade. We believed when she said she wanted to shift and change the industry, to give young women who did not fit the beauty industry’s narrow-minded standards a chance. Baby, I love a dismantling of inhumane systems that plague the world, so I was tapped in too. But I quickly realized, even in season one, that this was not it. I can’t remember exactly when I stopped watching. I want to say when Toccara got eliminated, because Toccara was plus-sized like me and deserved better treatment. I checked out.

Apparently in 2020, when everybody was bored in quarantine, folks started revisiting Top Model. Some rewatched it. A lot of Gen Z watched it for the first time, seventeen years later. And you know Gen Z does not play. They are going to call a spade a spade every single time. They dragged Tyra and the show through the mud, rightfully so. Many of us geriatric millennials feel a little indifferent because we lived through it, but we are also like, go off with the truth, Gen Z kings and queens.

I won’t tell too much of the documentary in case you haven’t watched it, though clips and op-eds are circulating everywhere. A couple of things stood out to me.

Tyra’s Disposition and Lack of Accountability
A content creator I follow said, “Tyra is insufferable and a narcissist.” I’ve been thinking about that ever since. I struggle with the word narcissist, especially in 2026, because people throw it around like Nick Cannon at a fertility clinic. “You get a sperm, you get a sperm, you ALL get a sperm!” Too much? Ok. Ok. I am also hyper-protective of Black women, so I think carefully before speaking about them publicly.

Tyra’s disposition, lack of accountability, blaming executives, refusing to answer questions directly, not fully mending the trauma inflicted under her leadership, and not checking on a so-called friend who had a stroke eight years prior to the documentary airing—all of that felt problematic and disheartening. She even blamed her viewers, saying, “I knew I went too far. It was very, very intense. But you guys were demanding it, so we kept pushing more and more and more.” Enter Kanye shrug with a smug pierced-lip energy. Girl, what? Stop it.

Legacy will air you out if you are not careful. I think about Jesse Jackson. I am grateful for his work through Rainbow PUSH Coalition, but when the announcement came that he passed, that wasn’t the first thing I thought about. I will never forget the hot mic moment when he was talking about then-Senator and Presidential candidate Barack Obama, saying, “See, Barack’s been talking down to Black people… I want to cut his nuts out.” We all make mistakes. It is when you project that you do not care about the mistake that stains your legacy. Tyra’s legacy is not stained simply by what happened on the show, but by how she is responding now. How we react when someone expresses harm matters, whether we agree with them or not. There are human beings who experienced trauma under a show you had creative control over. If you cannot see the humanity in that and respond humanely, that is a problem.

Watching her responses made me reflect on my own reality check. I do not ever want to be that person, and I need to make sure I am not.

Society’s Obsession With Reality TV
I am a fan of quite a few reality TV shows: The Real Housewives, Married to Medicine, Love Is Blind, Ready to Love. I love them. But none of it is real reality. There is often a lack of care in exchange for viewership numbers, and that was evident in Top Model’s format. They pulled structure ideas from shows like The Real World and Survivor, sacrificing young women as guinea pigs. From body shaming, to filming oral surgery, to exposing someone’s sexuality on camera, to recording someone being sexually assaulted, to yelling at a girl you claimed you wanted to help so badly that lawyers had to step in. That is not just on Tyra. That is on the entire production team and network. And it is not OK. I don’t care how long ago it happened; it happened and it was not OK, period. Society’s weird fascination with watching people on camera disrespected, fighting, suffering, and sacrificing themselves for the sake of a storyline curated and edited by someone other than themselves is not reality. It’s manufactured drama. Engineered pain porn. It is consumed and then spills over into how people treat one another in real life. Hint: the many phone video captures of fights, the “two girls one cup” trend, and the Tide Pod Challenge. It birthed the Love & Hip Hop and Baddies shows. It’s out of hand and has got to be stopped. At one point Tyra Lynne Banks looks at the camera and says: You have no idea what we have planned for Cycle 25, but I want you guys to be just as open as I am now about getting called on my s* for when somebody calls you out on yours. Because that day will come and continue to evolve.” Again, Tyra, girl, stop it. Please salvage what’s left of the legacy you started, retreat to Australia, and serve that hot ice cream in peace. We don’t need to be spoon-fed any more mess via a Cycle 20-anything. Good night, beloved.

Friendship and Business
This documentary made me think about friendship, true friendship, and what happens when friends become collaborators and business partners. When I was younger, I started my production company with my best friend. That was a learning curve. I realized early on that you have to care more about the friendship than the business. You have to understand one another’s working styles and meet in the middle. You have to communicate, even when it’s tough. You have to listen to understand and move as a collective. Obtain a your success is our success mantra. You have to trust each other. Often people start caring more about the business and their individual opinions, and that is when friendships begin to crumble.

Tyra and Jay Manuel seemingly had a really close relationship outside the show. I remember seeing them together quite a bit on media outlets. Hearing how that relationship fractured because of the show makes it clear that, at some point, the machine became more important than the human being. I believe you should be able to build with your friends. That is a dream of mine. But business exposes insecurities and idiosyncrasies. If you are not careful and care for each other, it gets messy. It leaves people thinking it’s not worth mixing friendship and business at all.

This documentary comes from the brilliance of Mor Loushy and Daniel Sivan, the same folks behind American Manhunt: Osama bin Laden on Netflix. I’m obsessed with them, and the documentary filmmaker in me would love to pick their brains. They create layered, thorough work that allows viewers to form informed opinions. The facts, the raw footage, the interviews, everything is compelling.

Reality Check: Inside America’s Next Top Model is worth the watch. I watched it simultaneously with one of my best friends, she’s on the West Coast, I’m on the East Coast, and we texted back and forth while watching. I highly recommend this by the way. It is a great way to connect because we love each other down, baby, but can’t always be together. My best friend and I are both Geminis, but we had different opinions about the documentary as a whole, which made it even better. It takes a myriad of people to make up a world, to diversify your friendships. And you know I’m always down for a good debate and friendly banter. Using this documentary as a conversation starter at your next social gathering is perfect to see where folks’ heads are at.

Shout out to Gen Z. I know folks get tired of y’all, but many of you are on this unfiltered journey and I am low-key feeling it. You are not always right, Baby Bop, but you are unapologetically you, and I respect that.

Let me know if or when you watch it and how you feel. I would love to hear your thoughts.

Asé